Friday, September 28, 2007

Out-take: Marjorie Poor



(l-r) Writer Sarah Klassen and Prairie Fire magazine Associate Editor Heidi Harms and Operations Coordinator Janine Tschuncky pick on Prairie BOOKS now editor Marjorie Poor at the Michael and Kathleen Winter Afternoon Book Chat at McNally Robinson's soon-to-be-lost-to-the-sands-of-time Portage Place location.

Reading Copy: Kathleen Winter

Kathleen Winter is a Holyrood writer who has written dramatic and documentary scripts for Sesame Street and CBC television and writes a weekly column for the St. John's Telegram. She has published a novella, Where Is Mario, and two books of creative non-fiction, The Road Along the Shore and The Necklace of Dreams.

Her new book, a collection of stories called boYs (biblioasis), is a wryly observant investigation of the distance between men and women. The manuscript won the 2006 Metcalf Rooke Award, and the collection's lead story will be included in the next volume of Best Canadian Stories.


Click here for
Kathleen Winter's
Reading Copy.

The Fashion Breakdown Pt. 2



Gwen Smid and Sara Matyas, mainstage volunteer extraordinaires, went above and beyond the call of duty coordinating their volunteer outfits. Note the shoes and beads these ladies are sporting. They will definitely be winning the volunteer fashion trophy at the volunteer banquet.

* * *

Daria Salamon’s first novel, The Prairie Bridesmaid, will be published in fall 2008 by Key Porter Books. Daria’s journalism has appeared in The Globe and Mail, Winnipeg Free Press, and Uptown Magazine; one of her non-fiction pieces appears in A/Cross Sections: New Manitoba Writing. She lives in Osborne Village with her son, Oskar, husband, Rob and cat, Dr. Puddles.

Soundslide: Alison Calder

Alison Calder's first poetry collection, Wolf Tree, was published by Coteau Books in 2007. A selection of poems from this manuscript received the Bronwen Wallace Memorial Award for writing excellence by a writer under the age of 35. Her poetry has been published in journals and anthologies, most notably Breathing Fire: Canada's New Poets and Exposed, and has twice circulated on Winnipeg city buses.

She is the editor of Desire Never Leaves: The Poetry of Tim Lilburn (Wilfred Laurier University Press, 2007) and a critical edition of Frederick Philip Grove's 1924 novel Settlers of the Marsh (Borealis, 2006), and the co-editor of History, Literature, and the Writing of the Canadian Prairies (University of Manitoba Press, 2005).

Alison Calder was born in London, England, and raised in Saskatoon. She obtained her BA in English at the University of Saskatchewan before completing Masters and PhD programs at the University of Western Ontario. She teaches Canadian literature and creative writing at the University of Manitoba. She lives in Winnipeg with her husband, Warren Cariou.




Click here for
Alison Calder's
soundslide.







Alison Calder will be appearing at THIN AIR, Winnipeg International Writers Festival:
September 29 - Mainstage, with Trisha Cull, George Ellenbogen, Niels Hav, John Havelda, Paul Savoie.

Thursday, September 27, 2007

Line of Inquiry: David Chariandy

David Chariandy has explored ideas of dislocation and cultural memory as an academic at Simon Fraser University, but he now offers those ideas to a wider audience in his luminous first novel entitled Soucouyant (Arsenal Pulp).

Set in Ontario, the story focuses on the fraught and tender relationship between a Canadian-born son and his Trinidadian-born mother, a woman who is suffering from dementia and uncannily 'forgetting to forget' the traumatic secrets of her past. The soucouyant - an evil spirit in Caribbean folklore - stands as a symbol of how the legacies of 'elsewhere' continue to haunt the lives of those born here.

Chariandy lives in Vancouver.

1) As a writer (i.e. someone whose artistic practice is predicated on time
spent alone) how do you approach performance? What do you get out of it?


It’s a good question. I’m told that I do alright in front of an audience. And I’m a teacher as well as a writer, so I should be used to public speaking by now. But the truth is that I’m usually a bit uncomfortable when I have to read my work, even though, apparently, this rarely shows. I’ve found that my type of writing requires quite a lot of introspection, which doesn’t necessarily help when it’s time to perform. Still, I’m so deeply grateful when anyone is willing to listen to me. That is an enormous gift to a new writer.

2) What do you want people to know about Soucouyant?


It’s a book about the elsewhere past, and about what haunts us when we think we’ve moved beyond. It’s also a book about forgetting, about the fragility of memory, and about the impossible burden of history. Really, it’s just a book about a mother suffering from dementia, and a son who is conflicted about his responsibilities. It’s a book that I worked on very carefully over many, many drafts, since I felt I owed this to the themes and characters.

3) What are you looking forward to in Winnipeg?


Frankly, I’m looking forward to hearing other writers read. I get inspired by that, the ebb and pitch of words in the air. And this particular festival has gathered together so many extraordinarily writers, both mature and new. Also, just about every writer I know tells me that the audiences in Winnipeg are the most lively and enthusiastic in the nation. I feel both thrilled and humbled to be able to participate in the groove.

4) What are you reading right now?


Lots of stuff. I usually dip into several books at once. (The tower beside my bed is sometimes outright hazardous…) I’ve recently read the new Ondaatje, Vassanji, Gowdy, and Hill, and I’m looking forward to perusing other CanLit offerings of the year. I’ve also been trying to catch up on books published a year or two earlier, like The Law of Dreams and The View from Castle Rock. I’m also right now re-reading Delible by Anne Stone, which I can’t seem to get out of my head. I’m always reading a lot of poetry. Poetry feeds me in a way that’s absolutely essential, even though I’ve never attempted that most daunting and demanding art. So Moure, and Brand, and Brathwaite, and Walcott over and over again, as well as a bunch of newer voices. I’ve co-founded, with Wayde Compton and Karina Vernon, a very (very) modest press named Commodore Books, and I’m really hoping that we’ll get to publish, as our third book, the poetry of an emerging Winnipeg-based writer named Troy Bailey. His poetry is exceptionally interesting, but I think he has the same neurosis that I do – he’ll never stop working on a manuscript until someone physically wrests the thing away. Maybe I’ll try pulling a heist when I’m in town…

5) What can being longlisted/shortlisted/winning an award like the Giller Prize do for a book and/or for your career? How does it feel to be nominated?

I’m both thrilled and shocked. As I mentioned, I worked extremely hard on my book for a number of years. Eventually, after painstakingly studying the works of more experienced writers, after many, many drafts, and after considerable pain and self-doubt on my own part, I got the narrative and language of my short book into a form that satisfied me. But I assumed, for a variety of reasons, that it wouldn’t get much attention, and I was honestly OK with that. Now, I’m suddenly in the company of the very writers, like Michael Ondaatje, whose work inspired me so profoundly in the first place. It’s such a strange and wonderful experience. I can’t fully express how meaningful it has all been to me, how deeply grateful I am by the nod from the Giller judges, and by the subsequent attention from people who, otherwise, might never have heard of my book or else taken me seriously. But I also know who supported me right from the beginning: a small and “regional” press, an independent bookstore or two, and a community of readers and writers, of all backgrounds and degrees of fame, who have taught me to understand “literature” not as the product of a few stars, but as a wild democracy of voices.

* * *

David Chariandy will be appearing at THIN AIR, Winnipeg International Writers Festival:

September 28 - Writing through Race Panel, U of W, with Lawrence Hill and Paul Yee.
September 28 - Maintstage, with William Gibson, Lawrence Hill, Linda Leith, Brenda Hasiuk.

The Fashion Breakdown

Last night’s mainstage event was funny and moving. The young adult writers thoroughly entertained. But what everyone is talking about today is...Charlene’s boots. In fact, I feel far too much attention has been devoted to the writers and not nearly enough has been said about festival fashion.

So, let’s talk about those boots. Charlene purchased them at the Aldo outlet when she attended Book Expo Canada earlier this year. She was supposed to be seeking out fine authors to bring to Winnipeg Words, but really it was a charade to expand her footwear collection. Quite frankly it’s a hot miracle we even have any writers.



I told her I didn’t think it was appropriate to use festival funds to broaden her boot collection. Last night at the readings she even audaciously tried to connect her crazy boots to the theme Surviving Adolescence.

(Ed. - I'm sure Daria means 'festival time' or even 'time off from festival time'...heh.)

The rest of her outfit she explained is cobbled together “from here and everywhere.” She is extremely proud of her ability to seek out deals. I should hope so, Charlene, if you’re pilfering festival funds for your unique wardrobe. The earrings are twenty years old – from the last time long dangly earrings were in fashion.



The necklace, a lovely piece of jewellery, is a “talisman of when I was pregnant with Anna seven years ago.” I was actually thinking of stealing it until she said that. The ring is from a trip to Cuba, the watch exceedingly cheap. And her best accessory was the glass of wine she was sporting compliments of the hospitality suite.

The woman’s got style. And sometimes I wonder if the writers up on stage feel they are competing with Charlene’s wardrobe for audience attention.



* * *

Daria Salamon’s first novel, The Prairie Bridesmaid, will be published in fall 2008 by Key Porter Books. Daria’s journalism has appeared in The Globe and Mail, Winnipeg Free Press, and Uptown Magazine; one of her non-fiction pieces appears in A/Cross Sections: New Manitoba Writing. She lives in Osborne Village with her son, Oskar, husband, Rob and cat, Dr. Puddles.

Out-take: hospitatlity suite



Charles LeBlanc, THIN AIR Foyer des Ecrivains author, unmasks himself in the THIN AIR Hospitality Suite after last night's Mainstage performance.

(His sixth collection, called Heures D'ouverture and featuring several plates with reproductions of Winnipeg urban landscapes, was launched yesterday.)

Out-take: Armin Wiebe

I sat next to Creative Communications faculty member and Campus Program emcee Armin Wiebe at the Lois Braun and Janice Kulyk Keefer reading/Q&A at RRC yesterday afternoon.

As I was snapping pics of the crowd and the readers I caught Armin’s hands in the frame.



Now forgive me for the faint whiff of lame but…looking at Armin’s hands through the lens, I realized that four novels and countless short stories (okay, okay, you can probably count them...) have moved through those hands and onto the page.

Even though I presume to call myself a writer, I couldn't tell you precisely where stories reside in the body and where they come from. But it's sort of strange to think that the stories rely on fingers and knuckles and hands in order to be made manifest in the world.

Wednesday, September 26, 2007

Reading Copy: Anita Daher

Anita Daher was born in PEI and has spent much of her life moving, and she draws writing inspiration from the many places she’s been fortunate to spend time in – Summerside PEI, Yellowknife NT, Churchill MB, Baker Lake NU, and Sault Ste. Marie ON, among others.

This year has been an important one for Daher. She has three new titles: Racing for Diamonds (Orca) is her third adventure story for young readers; Two Foot Punch (Orca) and Spider’s Song (Penguin) take that intensity up a notch for teen readers.

This spring she received the John Hirsch Award for Most Promising Manitoba Writer.

Daher now lives in Winnipeg.

* * *



Click here for
Anita's Reading Copy.

Reading: Brenda Hasiuk

Attended Brenda Hasiuk's reading/Q&A at Red River College today.

Watching Hasiuk settle in, I realized that the THIN AIR Campus Program readings, at least at RRC, is in many ways the ideal reading.




Creative Communications
students, who study public relations, journalism, and creative writing, are mandated to attend. Furthermore, they've all bought, read, and discussed the book as a part of their coursework.

There are usually four or five other attendees, but because the reading is what would be an unfamiliar venue for most people, they're either a friend of the writer or someone who likes your writing enough to seek you out.



Either way, you've eliminated the tire-kickers and scenesters, and you've got an audience that is more than willing to debate your book with you.

In Hasiuk's case, they wanted to know WHY Rena and Adam got together, they wanted to know EXACTLY how she was able to write about a small town in Manitoba's north and from the perspective of an Aboriginal character AND a Bosnian refugee when she's the urban middle-class grandchild of Ukrainian immigrants.



And while you could make an argument that book launches are also pretty fun, they're mostly about celebrating the eventness of a book. It's also sales/marketing event for the press and a social event for all concerned.

But the campus readings are only about the book - enough to make the average attention-starved writer swoon!

But Hasiuk didn't swoon...she was eloquent and engaged and candid.

Fun!

Tuesday, September 25, 2007

okay...

...I'll admit it. I didn't go to a single festival event today, after two very long days and nights at the festival (and also at work).

I pledged that tonight I would stay away from the festival, plug away at the book review I have due this weekend (ack!) and maybe go to bed early.

Sure, I'd check my email every so often to see what my fellow bloggers had come up with, but I wouldn't spend another evening with a laptop searing my lap, another evening giving myself virtual papercuts.

But as you see from the excellent contributions from both Daria and JS, this wasn't possible.

Ah well...

Tomorrow will be a compromise. Two readings in the morning (Brenda Hasiuk, Lois Braun, and Janice Kulyk Keefer) but also a nap in the afternoon.

Out-take: festival staff



Here's an admittedly contrived picture from Monday night's Mainstage performance, featuring Charlene Diehl (the choker), THIN AIR Director and emcee for the evening, and Perry Grosshans (the chokee), THIN AIR General Manager.

Line of Inquiry: Emily Pohl-Weary

Toronto author Emily Pohl-Weary grew up and still lives in the city's west end. Parkdale, a formerly elegant but now down and out neighbourhood, seeps into everything she writes.

She's currently writing a four-issue girl pirate comic (illustrated by Willow Dawson). Her young adult mystery novel, Strange Times at Western High, was published by Annick Press in the fall of 2006.

A slim collection of her poetry, Iron-On Constellations, was published in late 2005. In the fall of 2004, her first novel was released. A Girl Like Sugar is about a girl who's haunted by her dead rock star boyfriend. A critic called it "a candy kiss hiding barbed wire...as fun as eating a Ferrero Rocher."

1) As a writer (i.e. someone whose artistic practice is predicated on time spent alone) how do you approach performance? What do you get out of it?

Honestly? I still get very nervous before stepping out from behind my computer to do a reading or speak in public. Usually the butterflies hit seconds before it's my turn to get up on stage, so I try to use the anxious energy to propel my performance. Sometimes it works, sometimes, well...ahem. The times it doesn't are when the audience probably gets a taste of the real me. But there's a certain adrenaline rush that comes from forcing yourself to do something out of your comfort zone. It's good to shake yourself up a little.

2) What do you want people to know about Strange Times at Western High?


Strange Times was my opportunity to rewrite my high school years. Ha ha. I was able to create an alter-ego named Natalie Fuentes - a fearless teen girl who doesn't really care about being popular, has more on her mind than boys and clothes (she self-publishes a zine), and doesn't falter in the face of peer pressure or threatening situations.

3) What are you looking forward to in Winnipeg?


I love visiting the galleries like Plug In and Mondragon Bookstore, so hopefully I'll have time to just wander around a bit. I'm also looking forward to checking out some of the other readings and seeing friends.

4) What are you reading right now?

Okay, I tried to stall on answering this question until I was reading something that's not too embarrassing. The sad thing is that time will never come.

I've got about five books on the go and none of them are exactly high-brow.

Open on my bedside table are: Tamora Pierce's Sandry's Book (Circle of Magic Book 1); Lynne Ewing's Goddess of the Night (Daughters of the Moon Book 1); Lauren Haney's A Curse of Silence (a mystery set in ancient Egypt); Francine Pascal's Starting Over (a Sweet Valley High novel); and Vikki Stark's My Sister, My Self: Understanding the Sibling Relationship That Shapes Our Lives, Our Loves, and Ourselves.

I've also been watching old episodes of Gilmore Girls for like the 4,000th time.

It's all "research." Right?

Right?


Emily Pohl-Weary will be appearing at THIN AIR, Winnipeg International Writers Festival:

September 26 - School Stage, with Brendan McLeod.
September 27 - Campus Program, with Maureen Fergus.

What Are They Currently Reading: Rona Maynard

A Husband and Wife, at Grant Park food court, on their way to Rona Maynard, on What They Are Currently Reading:

Husband: We've both been studying a lot about Sweden, because right after Rona Maynard we're moving there tonight.

Me: Tonight? This is a momentous occasion. What are you reading about Sweden?

Wife: Mostly we're reading about the language, counting, simple phrases, cities and towns. Actually kind of boring stuff.

Me:
Are you reading other stuff, too?

Wife: Oh yeah, some here and there. Of course I'm reading Miriam Toews, in a certain way she's the best in Canada. Also because I'm of French Metis heritage I still always turn to Gabrielle Roy and lots of historical information on Louis Riel. I read some late French Symbolist poets, like Paul Valery.

Me:
Valery, don't you think he was sort of ruined from over-canonization by T.S Eliot?

Wife:
No. And I like going to the Manitoba Archives and checking out the trading records of the Northwest and Hudson Bay Companies.

Me. Pretty impressive. Nice selection. And you, good Sir?

Husband: Well currently reading alot about Sweden. Also, because I've got the travel bug, I've been reading alot of Alvaro Mutis, the friend of Marquez, who has that fascinating character named Maqroll.

Me: Whoa, slow-up, I'm trying to write!

Husband:
I'm actually halfway through a Scandanavian saga - I'm trying to get the feel for northern Baltic culture - The Saga of the People of Eyri. I guess for the same reasons I've been reading up on Ibsen, just the less famous ones, like The Master Builder. Oh, and lots of Knut Hamsun, from whereever he's from somewhere up in the cold there.

Me: Knut Hamsun, the Nazi sympathizer?

Husband:
I would debate you on that, Sir.

Me:
I would likely concur to your side of the debate; still, it does hang over his body of work.

Husband: Well, no use debating now, we have to finish our Pad Thai, then getting packing after Rona Maynard.

Me: True. I wish you the best of luck on your journey and I can only hope you bring your spark of erudition to learned people of Europe.

Husband:
Please leave.

* * *

J.S. is a propagandist and pamphleteer for over sixty-six Crown and Association publications. He has been both staff and contributing writer for weekly newspapers such as the Selkirk Journal, the Gimli Spectator, and the Midnight Sun, in Dawson City, Yukon. His poems and prose have appeared in the Golden Buzz (now the Force Gazette), Tart Magazine, and as low, low, low-run chapbooks. He is also founding member of the now defunct rap-futurist collective, Xenophane Six.

Interview: Alice Kuipers

Alice’s first novel Life on the Refrigerator Door was published in Canada and the United States August 28th by Harper Collins – talk about hot off the press.

It has sold at least three copies in Winnipeg – I know because I bought one and forced two of my friends to buy the others. Seriously though, it has sold in 21 countries. The book is written entirely in notes left between Claire and her mother, Elizabeth, during a difficult and ultimately tragic year.

Alice drove with her parrot, Fernando, into Winnipeg last evening, from her adopted hometown of Saskatoon. She described the drive “as thrilling as cleaning out the refrigerator.”

Not that she would know ANYTHING about refrigerators. On the way back she plans to visit Margaret Laurence’s home. [This is fascinating stuff – Alice.]

Last night we indulged in a bit of red red wine and engaged in some riveting discussion and research. We analyzed the Britney Spears performance at the VMA’s concluding that we would have done a much better job and have far better bodies. We then proceeded to watch Justin Timberlake’s Dick in a Box, twice, before heading off to bed.

Alice thinks that I should mention that we actually know each other and we met at The Sage Hill Writing Experience last summer and she hasn’t just shown up at my house looking for booze. Both unpublished, unknown, lonely writers at the time – Alice’s book has gone on to sell in a trillion languages, my book will be printed in English – if the publisher doesn’t decide to dump me.

On with the interview…

Having written a book set on fridge what is your favourite appliance?


I like blenders.

What do you like to blend?

If I had a blender, I would like to blend things into soup. But I don’t want to “wash one up” [Alice is British and talks funny sometimes] so I don’t have one.

What’s in your fridge right now?

A lot of YOP and not much else. There was a deal at SUPERSTORE. Actually the YOPS are now in your fridge, Daria.

Why do you have a parrot (that is sitting on my shoulder)?

When I lived in Panama, the owner had a parrot and for a writer they are really good pets. And I’m not allergic to Fernando. He’s named after my diving instructor. I took diving in Spanish. God knows what I actually know about diving – especially in Spanish.

This bird on my shoulder is really starting to creep me out. Do you use post it notes?


Yup. Doesn’t everyone. I don’t know anyone who doesn’t use them.

Why did you become a writer?


I spend most days writing and have done since I was quite young. I’ve written lots of things; LOTRD is not the first book I’ve written.

What happened to your first book?

It lies unseen. It’s really awful. It was called Repeat. And I wrote a book called Aquaplane – also unpublished and I wrote a book called Always Present is about incest and I think lots of first time writers have a book about incest in them.

I think because it’s taboo and taboo is interesting to write about. Rose and the Defiant Imagination was the first book I wrote that I thought was a good book.

And I have two collections of short stories which are unpublished, both of which I like for different reasons.

I think emerging writers would find it interesting that you have five books plus two collections of short stories, all unpublished, and LOTRD sells in 21 countries.

Do you have any more notes in you?

The format of using only notes to tell a story was really interesting to me; could I describe a full relationship giving as little information as possible. The format fits the story; it’s about running out of the time. The format had to say something in itself or the novel wouldn’t have worked. I’m not interested in pursuing that idea in another book.

No, what I meant was do you have any more actual post-it notes to write?

Thousands.

Favourite kind of pen?

My computer.

What’s up with that fancy keyboard of yours?

I have carpal tunnel in my right hand. Not ideal for a writer. People at my
Saskatoon launch
thought this wrist thing was a fashion accessory.

I think it looks a bit 80s and was wondering if you had a matching headband.

I might get one. Great interview, Daria. Thanks.

But we’re not done yet?

Yeah, I have to go do some blending.

I thought you didn’t have a blender? Never mind.


* * *

Daria Salamon’s first novel, The Prairie Bridesmaid, will be published in fall 2008 by Key Porter Books. Daria’s journalism has appeared in The Globe and Mail, Winnipeg Free Press, and Uptown Magazine; one of her non-fiction pieces appears in A/Cross Sections: New Manitoba Writing. She lives in Osborne Village with her son, Oskar, husband, Rob and cat, Dr. Puddles.

Reading Copy: Gil Adamson

Gil Adamson has published two startling poetry collections, Primitive and Ashland, as well as an acclaimed collection of linked stories, Help Me, Jacques Cousteau.

She cites as her influences Michael Ondaatje, Raymond Carver, Richard Ford, and Mark Richard, and her writing shows a similar attention to craft and a willingness to explore characters who are both brilliant and alienated.

Her first novel, The Outlander (Anansi), is an Adamson take on the western, following a young woman at the turn of the 20th century as she flees from desperate circumstances toward Frank AB, home of the massive landslide. Adamson lives in Toronto.





Click here for
Gil Adamson's
Reading Copy.







* * *

Caught Gil Adamson after her startlingly good reading from The Outlander at tonight's THIN AIR Mainstage performance.

Managed to convince her to contribute a Reading Copy, the first of two I have in the can (many many thanks to Anita Daher, who contributed the other after what must have been a long long day!).

There's more to say about Mainstage and even about Adamson, who leaves Winnipeg tomorrow morning 'very early,' but I need to get a few good hours of sleep...so, until I can return to this post and be pithy-pith-pith, enjoy the soundslide!

Monday, September 24, 2007

Lecture Review: Brian Henderson

There was no Power-Point presentation or laser pointer. There was no popcorn or confectionery candy. Rather Ballsy, in our over-scripted-lecture-era, that Henderson didn’t have even a pine podium from which to read his latest collection of poems, Nerve Language.

Not often will a lecturer rouse me (for probably a decade I’ve listened to mundane-talkers while quietly lusting more hyperized stimuli like video games, reality programming, and gonzo-blogging) so when the packed lecture hall at the University of Winnipeg finally settled, and Henderson was set to begin, I questioned whether I’d stay engaged.

Henderson was pique and handsome, dressed in a fantastic black sweater with matching black slacks, and he possessed an angular intensity from the very outset of his talk that couldn’t help but keep the most pixelated of attentions engaged.

Henderson explained that the subject of Nerve Language was Daniel Paul Schreber, a late 19th century German judge, who was institutionalized for lunacy at time predating any conceptions of the unconscious.

“I was reading Shreber’s memoirs,” Said Henderson, “and I was taken by the poetry of the language, the German phraseology.”

Henderson explained it was first time he had got into a relationship with a dead writer, and he wanted to make a body of poems less forensic than the memoirs left to history and its multitude of psychoanalysts.

Henderson talked in that brilliant circuitous manner that is impossible to summarize; he is no stodgy tweedsmuir variety of Prof. When it came time for the audience to ask questions, Henderson considered each answer thoughtfully and answered with never too much authority, with just the perfect modulation of mirth to let the audience enjoy his answers for what are all answers, in Art, but speculation?


* * *

J.S. is a propagandist and pamphleteer for over sixty-six Crown and Association publications. He has been both staff and contributing writer for weekly newspapers such as the Selkirk Journal, the Gimli Spectator, and the Midnight Sun, in Dawson City, Yukon. His poems and prose have appeared in the Golden Buzz (now the Force Gazette), Tart Magazine, and as low, low, low-run chapbooks. He is also founding member of the now defunct rap-futurist collective, Xenophane Six.

Nine or so Questions with Derek Dawda

How come there's no bio for you in the program?

There's not? (Giggling and grinning) Organizers probably forgot with how hectic it is.

You of course have an accent. Where are you from?


Poland. I speak Polish.

How long have you been writing in English?

Since 2000, the Millennium exactly. Maybe I wrote my first poem in English on New Years Eve. (We're both giggling and grinning now)

Can you see a connection with Canadian and Polish literatures?

(We both slap our knees with the hilarity of such a heavy question.)

Lots. But maybe not so much. I'd have to really think about it.

Now for typical Paris Review Questions: What's your advice for a young writer?

I like the Paris Review. My advice (I gotta admit we can barely look into one anothers' eyes for the cliche of my question) is probably read, read, read. And be open, engaged with the world.

I'm asinine for asking that question, sorry Derek. What are you reading right now?

Brendan McLeod.

The novel he wrote in three days or something like that?

Did he? It's really good.

What got you into SLAM poetry?


I was in Vancouver and they have a really strong spoken-word scene there. I just learned how to write for performance.

What made you perform a surrealist cut-up for your opening night at the WIWF?

I was at a festival in Brandon, and we started trying these cut-ups and really amazing work came out of that.

Is your name, Dawda, pronounced like the movement itself, Dada?

Yep, same way, but my stage name is Drek Daa, the organizers didn't put that on the handouts.

* * *

J.S. is a propagandist and pamphleteer for over sixty-six Crown and Association publications. He has been both staff and contributing writer for weekly newspapers such as the Selkirk Journal, the Gimli Spectator, and the Midnight Sun, in Dawson City, Yukon. His poems and prose have appeared in the Golden Buzz (now the Force Gazette), Tart Magazine, and as low, low, low-run chapbooks. He is also founding member of the now defunct rap-futurist collective, Xenophane Six.

Video: Voices from Oodena

Tonight was the opening night of THIN AIR, Winnipeg International Writers Festival. Meant to be at the Oodena at The Forks Market, the event was rained out at 5:00 am, when it stormy stormed.

Though that's not entirely true, because it was the storm that was supposed to break mid-evening that pre-emptively rained out the event, moving it inside the Forks Market itself.

Having the event inside the Forks didn't seem to affect anyone but me - in that I couldn't stop thinking about Bindy's, two stalls over - as over 150 people showed up and sprawled over the space available (for the record, blue/brown plastic stacking chairs pulled from storage and also foodcourt wooden chairs, a pair of which weighed more than Perry Grosshans, WIWF General Manager).



It was a prop-heavy night, with bicycle jerseys, signboards, three-year-old children, and, of course, my video camera, as I was recording a time-elapse video.

The camera was taking a still image every two seconds, but WIWF staff, nervous, flighty creatures, kept fleeing from the camera, not knowing that they wouldn't be noticeable unless they stood in plain view for a minute or more.

As I walked away from the Forks Market, tripod under one arm, extension cord under another, flashes of lightning played across the sky. It was the most reasonable/pleasurable rain delay I'd ever experienced....

And so, for your viewing pleasure, the two plus hours of Voices from Oodena, compressed down to, well, two plus minutes...

Opening Night

In a taxi on the way to this year's WIWF I engaged my driver in some litterati chit-chat.

"What's your favorite book? All time. Or your favorite author?"

I hoped to hear a multi-syllabled East Indian word or name connected with some cyclic-tome on love and war and rebirth.

"Why, Sir?"

"I'm a blogger, writing for a writing festival."

"At The Forks? This is where all the people are going."

He scrunched his spectacled face. "I like Donald Trump books, you know, on getting rich, these things."

"Awesome. Ever read Tony Robbins?"

It was the only name I could recall that shared the genre.

"Anthony Robbins. Of course."

"You should check out this guy tomorrow talking at the University of Winnipeg, Brian Henderson, he's a writer."

"Does he speak about the power of positive thinking?"

"I think so. He's a poet. He's very positively received."

"Maybe I'll go then. Monday is my day off."

* * *

J.S. is a propagandist and pamphleteer for over sixty-six Crown and Association publications. He has been both staff and contributing writer for weekly newspapers such as the Selkirk Journal, the Gimli Spectator, and the Midnight Sun, in Dawson City, Yukon. His poems and prose have appeared in the Golden Buzz (now the Force Gazette), Tart Magazine, and as low, low, low-run chapbooks. He is also founding member of the now defunct rap-futurist collective, Xenophane Six.